Art Fair Tokyo revealed its line-up for the 2014 edition at press conference on Monday at Palace Hotel Tokyo, presenting a broadening of its content in both art form and origins of the works on show. Japan’s biggest art event returns from March 7-9 at Tokyo International Forum, and as in previous editions, will feature selections of items of antiquity, ceramics and modern art.
TPAM’s eclectic line-up for 2014 is exemplified in its choices for the International Showcase section, and it’s there that fast-rising multimedia artist siren eun young jung from Korea is set to present her latest work “(Off) Stage / Masterclass.” ARTINFO Japan caught up with siren eun young jung ahead of the performance to discuss her desire to develop the feminist artistic language.
“Underwater Harmonist and Guinness World Record Holder” Ai Futaki is looking to take performing arts to a whole new level. Below the ground. The Japanese free-diver has made a name for herself as a videographer, model, and documentary maker, recently discussing her experiences underwater at TEDxTokyo 2012. Now Futaki is training above ground again and looking for new partners to expand the possibilities of dance in the ocean, as she prepares to head to Sipadan Island, Malaysia. BLOUIN ARTINFO Japan caught up with Futaki to discuss a possible new realm for performing arts.
Dancer Fukiko Takase may well have played the ingénue a few times in her stage career. But never one as prominent as this. For the very first music video by Atoms For Peace, lead singer Thom Yorke teams up with The Royal Ballet’s resident choreographer Wayne McGregor CBE for an abstract performance of contemporary dance.
Dancer Kaori Seki smells good. It’s rare of course, that a dancer performing under bright lights should pay attention to odour. But Seki is not your usual contemporary dancer and since 2010 has won recognition for bringing scents – via aroma oils – into her performances in order to add another level for her audience to interpret. ARTINFO caught up with the performer to discuss her career and the current dance scene in Japan and Asia.
When Genki Sudo, 34, announced his retirement from kickboxing in December 2006, after victory at a Japanese K-1 fight in front of 52,000 fans in Osaka Dome, he commented in his post-match interview that he planned to travel overseas to see how humans solve their problems. But few would have predicted that the devout buddhist known as the ‘Neo Samurai’ would 5 years hence be performing in front of thousands at Microsoft’s WPC 2011 conference in Los Angeles with his own YouTube sensation dance ensemble, World Order. ARTINFO spoke with him about World Order’s tech-era message.
The 11th ‘Newcomer Series’ of the Dance Ga Mitai Festival comes to a close in Nippori, Tokyo, this Tuesday after a fortnight of performances by a wide range of performers that has seen variations of music and visual projections incorporated in to experimental solo and groups routines. Amongst the performances on the penultimate day will be 26-year-old Gyrokinesis trainer Miki Hoei, who studied ballet from an early age. ARTINFO caught up with her before the show.
Since debuting in 2001, hip-hop boy band EXILE has slowly grown not only into the most dominant boy-band in Japan today, but also into one of Japan’s independent success stories by running their own management firm. They have increased in numbers too. On March 1, 2009 they merged with boy band J Soul Brothers to become a 14-strong unit. With their dark-tans, slick hair and surly looks, EXILE have stood out from the crowd of usual feminine J-pop boy bands. They have also excelled in dance.
Aya Sugimoto’s name is synonymous with all things sensual. Since her ground-shaking 2003 divorce, in which she famously (and very publicly) left a “sexless” marriage, Sugimoto has become a flag-bearer for women’s rights, particularly when those rights involve sex and relationships. Her sensational views are backed up by edgy performances in film and on stage, and she lends support to causes ranging from animal rights to female independence. Sugimoto’s new project promises more of the same: an adaptation, using the sensual Argentinean dance form tango, of the true story of Sada Abe, the notorious Meiji-era prostitute who asphyxiated and castrated her lover.